🏐 Blue My Mind Review Indonesia

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Your Gateway to the Trends and Tropes of the Horror Genre Eric’s Review Blue My Mind 2017 ★★★1/2 out of ★★★★★ Directed by Lisa BrĂŒhlmann Two great tastes that go great together Teen coming-of-age movies and body horror. Blue my Mind explores a Swiss girl’s trying to fit into a new school while slowly metamorphosing into something beastly. It’s a natural combination. The fear of monstrous body changes both normal and highly abnormal. Mia Luna Wedler, Streaker doesn’t know it yet, but she’s a mermaid, and as her subtle behavioral and physical changes, her self consciousness gets the better of her and she keeps these things a secret. For all the women out there who ever wished they had the Ariel experience in reverse, well this might dissuade some of those thoughts. Mia is also going through a rough patch with her parents, bristling at their simple questions, and she is desperately wanting to be part of the cool kids’ clique at her school. And as is true with many girls coming of age films, these young women are capricious, cruel, and undeniably pretty and petty. A similarly themed movie that I recently watched, Mon Mon Mon Monsters!, had similar themes of the outcast trying to become one of the cool kids. Unlike that Taiwanese film, however, Mia manages to win over the bad girls of her school. The naughtiness of risk-taking and boundary-pushing comes naturally to Mia, and she quickly wins over the alpha female of the pack of mischief-makers, Gianna ZoĂ« Pastelle Holthuizen, who is brazen, beautiful, and controls the social dynamic of their school. Soon, Mia and Gianna are bonded, trusting each other as they engage in drugs, sex, and well
 more drugs and sex. Eventually, though, Mia’s metamorphosis becomes something difficult to hide. She confides in a doctor, but that becomes a dead-end, and she confronts her mother believing her mom and dad are not really her parents, and there are suggestions through the storytelling that seem to lend credence to her suspicions. She resists her early forms of transformation, such as cutting out the emerging webbing between her toes OUCH! and hiding her legs that are beginning to bruise, molt, and generally look like a horrific massive rash. Thematically, the film reminds me a bit of Ginger Snaps. A teenage girl finding her way through her emerging sexuality at the same time as she’s going through a bestial transformation. These films cry out with the “What’s happening to me?!?” moment that stokes the hormones and fears of adolescent girls everywhere. The movie also bears the marks of the current wave of European horror films, like Raw, Goodbye Mommy, Beast, and Let the Right One In. These are largely quiet films, dramatic studies first, that draw the horror out slowly. In fact, I would suggest that this is actually much more of a very dark fantasy tale rather than a true horror movie, as Mia is more of a risk to herself than she is to others. This film was featured at last year’s Overlook Film Festival, and though light on the violence and gore, there is plenty of “ick” factor, and it proved that it belonged in that collection of genre titles that Overlook curated. This is director Lisa BrĂŒhlmann’s first feature film, and it immediately launches her into a director to watch going forward. When a director comes out with a coming-of-age film early in their careers, you have to suspect there is a bit of an autobiographical edge to it. And, in an interview with the website MEAWW, she reveals that she took a lot of her own life experiences, and the shame and aggressive self-destructive behavior. The movie left me feeling cold, and I don’t know that I ever really enjoyed the movie, though it kept my attention. This movie has a whole lot of lonely built into it, and at the conclusion, that feeling is pervasive. Her transformation complete, you wonder what the rest of Mia’s life will be like. The scariest parts of this movie also had nothing to do with her physical change into a creature, but instead, with some of the terrible decisions Mia makes with drugs, booze, and sex. Though the movie features teenagers, be warned, this is not a movie particularly suited for impressionable young teens. There is definitely a hard edge to this film. Both Wedler and Holthuizen both exhibit great charisma and can hold a frame exquisitely. The Swiss movie industry isn’t exactly a juggernaut, so I would be curious to see if either of these actresses start seeing work in more widely distributed films from France, England, or the US. I would be curious to know what our female fans think of this movie. I suspect it is a much more compelling movie for women than men, as the themes are so very tied to female fears. Blue My Mind is Rated R, for strong sexual content, drug use, and language. It is available for streaming on Amazon. Categories ReviewsTags Blue My Mind Review, body horror, Lisa BrĂŒhlmann, Luna Wedler, Mermaid Horror, Mermaid transformation, Swiss horror movie, Teen Coming-of-age horror, ZoĂ« Pastelle Holthuizen Youcan read the full review where it was originally posted online. This review of Blue My Mind (2017) was written by Rob Aldam and published by Backseat Mafia on 03 November 2018. Blue My Mind has generally received positive reviews. If you think you’ve seen everything the coming-of-age narrative style has to offer, you haven’t seen director Lisa Bruhlmann’s fantastical, surreal debut film, Blue My Mind, which premiered at IFC’s What the Fest!? tonight. The story follows Mia Luna Wedler, a 15-year-old late-bloomer who is trying to make an impression on the cool girls at her new school. After a few fruitless attempts, Mia finally catches the attention of Gianna ZoĂ« Pastelle Holthuizen, the leader of the clique and a lawless party girl with whom Mia is completely fascinated. As she earns her way into Gianna’s good graces, Mia must also come to terms with experiencing puberty and its effects on her rapidly transforming body. With these changes come new urges, desires, and disturbing, unsavory habits. Mia is coming into her own, despite her many efforts to thwart the terrifying process. Although Blue My Mind doesn’t completely reinvent the wheel, the story can only be described as unique. A mix of Ducournau’s Raw sans cannibalism with a healthy dose of Hardwicke’s ever-controversial Thirteen, Bruhlmann manages to weave a harrowing, compelling tale of self-discovery, friendship, and trying desperately to appear average despite glaring, bizarre differences. Relatedly, Mia experiences several rites-of-passage we’ve seen in countless films before, yet Blue My Mind feels as unpredictable as if this were the first story of its kind. While Blue My Mind is a drama at its core, the film introduces enough body horror elements to keep genre fans satisfied. Beyond that, the terror is not found in the film’s imagery. Instead, it stems from the anxiety the audience shares with Mia as she discovers her body may be taking on unexpected qualities, as well as finding herself in increasingly dangerous situations. We are taken on a gripping ride of teenage alcoholism, drug abuse, risky sex, and excessive partying, and through it all we grow to care for Mia more than she cares for herself. Not to be overlooked is Luna Wedler as the extraordinary Mia. Wedler succeeds in maintaining a key balance between vulnerability and fearlessness. There are moments when we can see the scared girl behind Mia’s cool facade, and moments, too, where we see the headstrong child beneath the mature exterior. Mia is just trying to live life on her own terms, in spite of nature’s plans for her, and Wedler gets this point across admirably. This role could have been laughable and over-the-top if left to the devices of a less savvy actress, but Wedler takes on Mia’s challenges with no signs of reservations, delivering on all counts. Not only is she believable, but she is engaging and mysterious, keeping viewers tucked snugly in her pocket throughout the film. Rich cinematography although a bit too on-the-nose with the use of the color blue comes together with excellent special effects and makeup to bring us this inspired piece of filmmaking. Visually, Blue My Mind is equal parts beautiful and wonderfully repulsive. Even in scenes where not much is happening, such as a moment when the two girls are passed out on a train platform, the shots are composed with style, care, and attention to detail. The eyes of those who see this film will, undoubtedly, be wandering around the screen, taking in the artistry of each frame. Blue My Mind is a prime example of a film which transcends genre and succeeds no matter which avenue it explores. Mia’s story is strange, fascinating, and, at times, brutal. Those open to an outlandish twist on a body horror-lite film will be captivated by this stunning debut. The film is premiering at IFC’s What The Fest!? on March 31, 2018 Warning Trailer contains a major plot spoiler.
MyBlood Runs Blue.By Stacy Eaton. This was a book given me by the author, through World Literacy Cafe for review. This was a very exciting book, but would be hard to put into a specific Genre. It's about a policewoman, it has Vampires, romance, re-incarnation, and oh yesA Serial Killer!
- Blue My Mind adalah sebuah film yang disutradarai oleh Lisa BrĂŒhlmann. Film ini diperankan di antaranya oleh Luna Wedler, ZoĂ« Pastelle Holthuizen dan Regula Grauwiller. Film ini menceritakan tentang Mia Luna Wedler seorang gadis yang baru saja pindah dan menjalani hari-harinya di sekolah baru. Meski awalnya Mia terlihat cuek dengan teman-teman barunya namun ia akhirnya mencoba bergaul dengan orang-orang populer di sekolahnya. Ia berteman dengan Gianna, ketua geng dari trio anak perempuan yang dewasa sebelum waktunya dan mulai bergabung dengan kelompok itu. Sementara di sisi lain, Mia seperti memiliki kelainan yang tidak ia ketahui. Mia menghadapi transformasi luar biasa yang membuat seluruh keberadaannya dipertanyakan. Tubuhnya terus mengalami perubahan, meskipun upaya putus asa untuk menghentikan prosesnya namun Mia seolah dipaksa menerima bahwa alam jauh lebih kuat dari Drama, Fantasy, Mystery Duration 1h 37minRating from usersArtikel Menarik Lainnya Timothee Chalamet Cocok Mainkan Remake "Hotel Del Luna" Versi Amerika ? Sinopsis "My Brilliant Life 2014" - Perjuangan Seorang Anak di Sisa Hidupnya Sinopsis " Look Away 2018" - Bertukar Tempat dengan Refleksi di Cermin
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by Lisa BrĂŒhlmann synopsis15-year-old Mia faces an overwhelming transformation which puts her entire existence into question. Her body is changing radically, and despite desperate attempts to halt the process, Miais soon forced to accept that nature is far more powerful than she is. international title Blue My Mindoriginal title Blue My Mindcountry Switzerlandsales agent Be for Filmsyear 2017genre fictiondirected by Lisa BrĂŒhlmannfilm run 97'screenplay Lisa BrĂŒhlmanncast Luna Wedler, ZoĂ« Pastelle Holthuizen, Nicola Perot, Regula Grauwiller, Georg Scharegg, Lou Haltinner, YaĂ«l Meiercinematography by Gabriel Lobosfilm editing Noemi Katharina Preiswerkart director Marlen Grassingercostumes designer Laura Lochermusic Thomas Kuratliproducer Stefan JĂ€ger, Katrin Renz, Filippo Bonacciproduction Tellfilm, ZĂŒrcher Hochschule der KĂŒnste ZHdK, SRF - Schweizer Radio und Fernsehendistributor Frenetic Films
BlueMy Mind is a 1hr 37 min fantasy drama film from director Lisa BrĂŒhlmann . Starring Luna Wedler. A coming of age movie.
It is the first day at a new school for teenaged Mia Luna Wedler. At lunch break, a girl shyly tries to make friends. But the pouty, pretty Mia, who is just days away from her first period and is perhaps taking this new start as an opportunity to better her social standing, has her eyes on a different clique. Wild-child Gianna ZoĂ« Pastelle Holthuizen, all silky waist-length hair and bare midriff, is the sexually precocious center of a trio of girls orbited by an undifferentiated constellation of good-looking but oafish boys that will soon become a quartet with Mia’s inclusion. The setup for actor-turned-writer/director Lisa BrĂŒhlmann’s debut feature is beautifully drawn and remarkably well-performed especially by Wedler and Holthuizen, but it’s hardly anything we haven’t seen in a hundred coming-of-age tales before. But then suddenly there’s Mia standing over her living room tank of tropical fish, scooping them alive and wriggling into her mouth, chewing and swallowing, her eyes glassy and manic. At first, the incipient symptoms of Mia’s — how to put it — disorder, are cleverly paralleled with those of the more humdrum psychological issues that can plague teenage girls on the cusp of maturity. She gulps down a glass of salt water a trick bulimia sufferers use to induce vomiting; she lashes out at her mother Regula Grauwiller with a physical force that she doesn’t seem to know she has; she develops a sudden awareness of a physical abnormality that her doctor insists she must have had since birth, and cuts away at herself in a way that explicitly evokes self-harm. And all of this exists amid a haze of MDMA, benzedrine, pot, and alcohol that becomes headily entwined with parental rebellion, sexual competitiveness, and perhaps, it is hinted, physical attraction between the girls, as they party and shoplift and dare each other on to ever more dangerous behavior. Up to a point, the central analogy works rather brilliantly. The menacing yet dreamlike tone grounds the film’s dark-fairytale transformation, flattered by DP Gabriel Lobos’ elegant, sinuous camerawork and blue-gray aqueous palette that somehow retains an element of underwater grace even when lit in the druggy hot-pink tones of a late-night party turned shockingly predatory; the low-key electro-burble of Thomas Kuratli’s sparingly used score; and Patrick Storck and Gina Keller’s pristine sound design, which features the dripping and rushing of water as an ever-present mnemonic. As the conductor of this particular symphony, BrĂŒhlmann shows a thematic control unusual for a neophyte, making the film’s gradual descent into all-out body horror immersively discomfiting. As Mia’s condition worsens, and she struggles to conceal it from Gianna and the others, “Blue My Mind” even recalls Julia Ducournau’s recent femme-centric horror touchpoint “Raw,” only without that film’s macabre sense of humor. Instead, this is a sincere yet nightmarish bedtime story that may have trace DNA from a famous Hans Christian Andersen folktale, but in its admirable commitment to the grotesque feels more like a modern-day Brothers Grimm fable. But at some point the allegory slithers out of BrĂŒhlmann’s grasp, and grows too large for its tank. Rather like its misleadingly punny title, “Blue My Mind” wants to work on multiple levels, but falters to become a slightly unconvincing, if well-made, single-entendre. Mia’s problems become less relatable as they become more real, her fears of her own “freakishness” become paradoxically less interesting the more they’re revealed to be based in physical fact. And so the story’s allegorical power is lessened as it plays out alongside the very things — like sexual confusion and body dysmorphia — that it’s supposed to be an allegory for. Our heroine is contending with all the usual pressures of girlhood and has the bruised legs, syndactyly, and shedding skin of her pesky metaphor to deal with, too. The demons of adolescence that so much of the imagery evokes are powerful and dangerous because they are imaginary. Anorexia, negative body image, self-harm, and the joyless promiscuity and sexual degradation that Mia pursues are the kinds of heartbreaking punishments that young girls inflict on their bodies for differing, in ways that often only they perceive, from some notional ideal of womanly perfection. Everybody feels like a freak at this age and it doesn’t seem an especially helpful conclusion to have the story confirm that freakishness, and to suggest that the solution for Mia is self-imposed exile from the people who, however distractedly, love her. Having created a striking and potent allegory in “Blue My Mind,” and explored it with grace, seriousness, and exceptional craft, BrĂŒhlmann doesn’t seem to know quite what to do with it by the end, except to suggest that the cost of self-acceptance is vast, eternal, oceanic loneliness.
BlueMy Mind [2018]: Fantasia Film Festival Review. Many fantasy and horror-fantasy film deal with monstrous changes as an allegory for female puberty. Blue My Mind 2018 Full movie online MyFlixer MyFlixer is a Free Movies streaming site with zero ads.
Stars Luna Wedler, Zoë Pastelle Holthuizen, Regula Grauwiller, Georg Scharegg, Lou Haltinner, Yael Meier, David Oberholzer, Una Rusca, Timon Kiefer, Benjamin Dangel, Martin Rapold, Rachel Braunschweig | Written by Lisa Bruhlmann, Dominik Locher | Directed by Lisa Bruhlmann There has been more talk than ever about women in the film
BlueMy Mind. Blue My Mind Regular price From $4.00 USD Regular price Sale price From $4.00 USD Unit price / per . Blueberry Cream Blueberry Cream Indonesia (USD $) Ireland (USD $) Isle of Man (USD $) Italy (USD $) Jamaica (USD $) Japan (USD $) Jersey (USD $) Kosovo (USD $) Latvia (USD $) Liechtenstein (USD $) Dramamu- Blue My Mind (2017) Banyak film sub indo yang bisa muncul di bioskop terkenal dan masuk ke dalam film box office dan menjadi film yang bisa menyedot animo masyarakat untuk menonton film ini, sehingga bisa membuat film ini menjadi film terlaris dan bisa membuat Anda selalu ingin menonton film ini secara terus menerus. Memang film yang bagus adalah film yang memiliki banyak sekali
Nontonfilm blue my mind full movie subtitle indonesia Download Film dan Subtitle Indonesia di Bawah Player Sebelah Kanan (Icon Tanda Panah Kebawah) A seemingly normal teenage girl faces overwhelming body transformations that put her existence into question. Director: Lisa BrĂŒhlmann Writers: Lisa BrĂŒhlmann, Dominik Locher Stars: Luna Wedler

Titolo Blue My Mind - Il Segreto Dei Miei Anni - (Italian Import). Formato: DVD. Condizione: Nuovo. Lingua: English.

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deutscheTV und Kino-Filme german television and cinema movies BlueMy Mind ist mit wenigen Ausnahmen an den OriginalschauplĂ€tzen in der Stadt ZĂŒrich gedreht worden. Blue My Mind, the striking debut feature from Swiss writer/director Lisa BrĂŒhlmann, does this with great effect. Plants do need to be watered well for several weeks during root establishment. Mia tries to get into good standing with the cool group. 50 Tastepoints. 0/38 likes in common. Wed .